Section 08
Imagery
Photography, illustration, and iconography. The visual register before anyone reads a word. Honest light, specific place, dignified subjects.
Three principles
What every TCA image is and isn't
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01
Honest Light
Available light, golden hour, overcast soft. Avoid hard ring-light glare, magazine over-glamorization, and HDR oversaturation. The fish, water, and people should look the way they look on a real day.
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02
Specific Place
Every shot reads as somewhere — a particular raceway, bank, or kitchen. Generic stock photography is the opposite of the brand. If you can't tell where it was taken, it doesn't belong.
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03
Dignified Subjects
Fish, water, hands, equipment, people — each treated with the respect we want our buyers to give them. People at work, fish at rest, water in motion. No staged victory poses.
Photography style
Light. Composition. Color.
Light
- Preferred: soft natural — early morning, late afternoon, overcast midday
- Acceptable: open shade with a single bounce
- Avoid: direct on-camera flash, hard mid-day sun without diffusion, stylized rim-light
- Color temperature: 4800–5500K, neutral to slightly warm
Composition
- Rule of thirds for environmental and portraits
- Centered symmetry for product and packaging
- Negative space welcome — the brand is comfortable with quiet
- Foreground / midground / background layering on landscape
Color grading
- Earth-toned, muted, natural — same notes as the logo
- No pushed saturation
- Slight film grain acceptable in marketing; never on labels
- Lifted blacks — keep detail in dark green and deep water
Subject matter
How to shoot each thing
| Subject | Approach |
|---|---|
| Whole fish | On ice, on a wood board, or in the hands. Eye visible, scales catching light. Not "smiling" or staged. |
| Fillet | Skin-on, flesh side toward camera. Backed by a neutral surface. Knife visible if relevant. |
| Plated dish | The dish from a chef partner who actually serves the fish — not a styled mockup. Tableware natural to the restaurant. |
| Hands | Doing real work. Crop tight; the hand is the protagonist, not the person. |
| People | Three-quarter portraits in their actual workspace. Looking off-camera or at their work; rarely directly into lens. |
| Raceways / hatchery | Wide environmental shots showing scale + tightly-framed water-surface details. Always include something for scale. |
| Landscape | Texas-specific. Show a hill, a fence line, a particular sky. Not generic "nature." |
| Equipment | Clean but not staged. Patina is fine. The piece in use beats the piece on a white background. |
Photography don'ts
What never enters the library
- No stock photography. Not a single frame.
- No fish on a hook held up by a fisherman. We are not a sport-fishing brand.
- No sunglasses-and-grin "founder portraits." Read serious; smile if real.
- No food-porn close-ups disconnected from a real plate.
- No people we don't have signed releases for.
- No social-media filters baked into hero imagery.
Production brief
The 40-frame foundational shot list
The brand needs a foundational photo library covering the operation. This is the brief for the first dedicated shoot. Aim for 30–50 hero-grade frames plus supporting B-roll.
Operations
- Wide environmental of the property at sunrise
- Raceway in operation
- Hatchery interior — broodstock tanks, low light
- Fingerlings being counted/transferred
- Feed scoop / feeding moment
- Water-quality testing — meter in hand
- Mortality recording (operationally honest)
- Net hauling — multiple frames of motion arc
People
- Founder portrait — three-quarter, in operations setting
- Hatchery lead portrait — at work
- Harvest crew group shot — natural arrangement
- Hands grading fish (close, no face)
- Hands packing a carton with ice
- Worker walking a raceway line, back to camera
Product
- Whole Redfish on ice, top-down
- Whole Redfish, three-quarter, on wood board
- Skin-on fillet, top-down
- Skin-on fillet, raking light for scale detail
- Lot-ID label macro
- Box exterior with branding visible
- Box interior — packed fish on ice, ID card visible
Kitchen / chef partnerships
- Chef receiving a delivery (sequence: open → inspect → react)
- Chef breaking down a whole fish
- Plated dish — finished, in restaurant lighting
- Plated dish — actual service moment
- Chef at the pass, calling the dish
Conservation / stocking
- Fingerling release into a coastal water body
- Health certificate / paperwork detail
- Partner biologist inspecting a transport delivery
- Wide of the release site
Watershed & detail
- The actual Turtle Creek
- The constructed wetland for discharge polishing
- A turtle on the bank
- Wide of Texas land showing the property edge
- Scales catching light (very tight macro)
- Water surface — ripples, reflections
- Ice in the carton (top-down)
- Knife and cutting board, between cuts
- A handwritten lot tag
- Rope, tools, the practical objects of the work
Beyond photography
Illustration & iconography
Illustration
Logo-adjacent. Confident linework with intentional irregularity (slight woodcut feel). Flat brand-color fills, no gradients, optional muted texture layer. Use for diagrams, infographics, packaging accents, and editorial spot work.
Iconography (holding rules)
24×24 px grid. 1.75 px stroke. Stroke-first; fills only where stroke is illegible. Color: Creek Forest default, River Teal active, Bank Olive muted. A formal icon system will be specified separately as the design need accumulates.
Captions
Every published image gets a real caption
"Beautiful day at the farm 🐟" is not a caption. The formula:
[What we're seeing], [where], [when]. [Optional: why it matters in one phrase.]
Do
Sunrise harvest at Raceway 3, Tuesday. Twenty fish bound for Casa Río in Houston by lunch.
Don't
Another beautiful morning! 🌅🐟 Our amazing team doing what they do best!